Tag Archives: Rio de Janeiro

Why You Can’t Miss Carnival in Rio de Janeiro!

The Origins of Carnival

IMG_20160208_235746The beginnings of masks, jesters, debauchery and partying go back in time beyond pre-history;  but the origin of that particular party that many countries call Carnival is more recent. Although no one is really sure, there’s a good chance it started in Northern Italy.

As the Roman Catholic Church tightened its grip on Western civilization, the practice of abstaining from meat and strong drink (alcoholic!) for the 40 days between Ash Wednesday and Easter became common. This period is known as Lent in Catholicism, and the observant are expected to eat simply and lightly for the whole time, to mark Jesus’s forty days fasting in the desert.

DSC07680The last day to eat meat and drink wine was the day before Ash Wednesday. In the old Italian language, the words “carne levare” comes from the Latin “to lift out the meat”, or to take it away from the diet. “Carne-levare” became “Carni-val” – the very last chance to eat meat and drink alcohol before six weeks of abstinence.

In Venice, Italy, having feasts and masquerade balls before Ash Wednesday started sometime in the 11th century. Venice has the oldest, and most famous of all Carnivals in the world. Over the centuries, the practice of feasting just before the Lenten period spread to many predominately Catholic areas. Even in mostly-Hindu India, the area of Goa celebrates with coconut and jaggery filled crepes, because the colony was founded by the Catholic Portuguese. New Orleans, originally French, calls it Mardi Gras, which, in English, means Fat Tuesday.

Carnival and Samba in Brazil

DSC07567Probably the second most famous Carnival (and maybe the first because Venice Carnival took a long hiatus in the 19th century), is the one in Rio de Janeiro, Brazil.

Rio Carnival’s history is closely intertwined with samba music. When the Portuguese brought slaves to Brazil, the slaves brought their drums and gods from Africa. Force-fed Catholicism in the New World, the Africans invented a kind of underground amalgam of African gods and Catholic saints, called condomble. After a condomble ceremony, the Afro-Brazilians celebrated with music and dancing that was the earliest form of samba.

At the beginning of the 1900s, samba music was influenced by other styles, then picked up and transformed by professional musicians in Rio de Janeiro. The “official” beginning of samba is a song called Pelo Telefono written in 1916. In the 1940s, Carmen Miranda helped to spread this uniquely Brazilian music and dance. Deena and I were fortunate to see an amazing show marking the 100th anniversary of Samba.

DSC07692Samba music and dance became an integral part of the Carnival partying and drinking before Lent. Altogether, Samba and Carnival, are a huge, month-long party in Brazil. The celebration in Salvador, Bahia has been dubbed the largest street party in the world by the Guinness Book of Records. In Rio, the parades and costumes are majestically grand.

The Contest and Parades

Carnival in Brazil was once nothing more than a group of friends having a party. Everyone had to get the temptations out of the house for lent, and what better way than to have a block party with all your friends to barbecue whatever meat is in the house and drink all the remaining liquor? It had to be finished before Lent;  and of course, you could always tell your boss you’d be late in the morning because you had to go to church for Ash Wednesday.

This started long before the age of boom boxes so everyone brought their drums, chocalhos and pandeiras. Somewhere in the late 1800s, these parties started moving through the streets with their music, dancers and revelers. They were called cordões (cords or strings in English). Today, cordões are usually called blocos. The term blocos, or “blocks” for block party, reflects the neighborhood nature of the original Carnival.

At Portela Samba School
At Portela Samba School

Eventually, some of those early cordões became bigger and a little more organized. The paraders wore costumes and sang a particular samba song. In 1929, the very first contest took place between three of these groups. The winner of this first contest was “Oswaldo Cruz,” which later became the Samba School Portela – the same school that Ivan and Deena paraded with in the Sambadrome for Rio Carnival 2016.

Over the years, the Rio carnival parade contest became more and more organized. In 1984, the contest moved into its very own space called the Sambadrome which was designed by Brazil’s most famous architect, Oscar Neimeyer. DSC07650In this photo of us in the Sambadrome, you can see in the background what looks like it might be a McDonald’s M. It’s not. It is, in fact, an abstract derriere, butt, behind, or, in Brazilian Portuguese, bunda. It’s a symbol of admiration for the grace and speed at which Brazilian women can samba.

From that first challenge among three cordões, the Rio Carnival has grown into a huge contest to see who has the best Carnival parade. It is an honor to be champion, and the competition is fierce. The contestants are now called Samba Schools, although no one really goes there for an education. Instead, the Samba Schools are social clubs for their neighborhood. They are large organizations which put together fantastic parades for the annual contest.DSC07683

Each year, the association of samba schools announces a general idea. From that idea, each school creates a theme, a new samba song, costumes and floats. From all the samba schools, 12 finalists parade by the judges in the Sambadrome on the Sunday and Monday nights before Ash Wednesday. The parades start at sundown and go through the night until dawn.

DSC07785There is nothing in the world quite like the Rio Carnival parades. Each of the finalist parades has 200-400 percussionists that are completely in sync. Each parade has 4,000-5,000 people in costume singing and dancing in unison;  and a half-dozen or more fantastic floats with dancers and singers on them.

Back to the Streets!

Like so many other events, popularity, capitalism and inflation pushed the price of the seats in the Sambadrome beyond the range of the average person in Rio. Samba schools and block parties that were the lowly origin of the event were created by the poor and the lower middle class. No longer can the poor attend the event that they once owned.DSC07882

Even the parade costumes have become too expensive for the favelados (slum dwellers) who are the members of the samba schools. We asked one of the organizers why our costumes were so expensive (by Brazilian standards), and we were told plainly that tourists help pay for the costumes for the locals. It’s one of those few times in life when you actually feel good about overpaying.

A movement back to the streets has been in place for a few years now. While the samba schools still have the contest in the Sambadrome, they also now have their own parade in their own neighborhood. There are over 500 known blocos (block) parties in Rio, and probably several hundred more that are not published.DSC07101

There is even an Occupy Carnival (Ocupa Carnaval) group that promotes taking back the event that was once the province of the people.

The block parties start ramping up in December and are literally all over the city by the time Carnival rolls around. Some of the block parties have been in place for many years and have huge followings.

Some of the big block parties are a celebration of a theme, like the old and famous Banda Ipanema which is a cross-dressing and LGBT celebration. Some, like Simpatia é Quase Amor (which, very tongue-in-cheek, translates to “friendship is almost love!”) have a new samba song for each year. DSC07251In this photo, the organizers at a pre-party are picking a samba from a few groups who want to lead the parade. Other blocos, like Boitatá, are known for their incredible musical talent. We discovered also that the Boitatá parade has lots of people who dress up in creative costumes.

Rio de Janeiro is one of the most amazing and fun places to be from New Years through Carnival. Deena and I spent New Year’s Eve on Copacabana Beach where we enjoyed the “100 Years of Samba” show put on by the city. During the next 5 weeks, we took samba lessons and participated in block parties including Banda Ipanema and Cordão do Boitatá.

We spent one of the finalist nights in the bleechers of the Sambadrome;  and the second night we, in full costume, joined the Portela Samba School for their parade in front of the judges and the crowds. Portela came in third place so we were invited back to the Sambadrome the following weekend for the parades of champions. This is where Deena lost her headpiece during the parade and crowds roared “oooo nãoooo…” Good thing it wasn’t for the judging!

It’s impossible not to create fantastic memories during Carnival time in Rio.

The video below is from one of the rehearsals for Boitatá:

Carnival_2016_Boitata_rehearsal from Sir Laffalot on Vimeo.

 

Santa Teresa Neighborhood of Rio

One very charming neighborhood, or bairro (pronounced buy-ho), of Rio de Janeiro is Santa Teresa. Situated on a hill not far from the city center, it has amazing vistas of Rio and the bay.

A tram that connects the city center to Santa Teresa was built in the late 1800s. With its iconic yellow tram cars, it has become something of a symbol of both Rio and the bairro itself. It fell into a state of disrepair and together with some fatal accidents, it was closed. The residents of Santa Teresa protested until the government agreed to restore the line. Today, you can take a ride on at least part of it.

Perhaps because the views are amazing, perhaps because the location is so convenient, Santa Teresa has been a rather bohemian center hosting artists, actors and writers. It’s understandable. There isn’t a better place where one can enjoy a coffee or a beer above the din and dust of the city itself, and yet be so close.

 

 

 

How to Celebrate New Year’s Eve in Rio

New Year’s Eve on Copacabana Beach in Rio de Janeiro is HUGE. How huge? Maybe 1-2 million people descend on the area. The streets on the beach and leading up to it are  closed to vehicle traffic, and it was really nice to see police presence everywhere.

I was somewhat disappointed by the shift away from the evening’s original afro-spiritual roots. Last time I was in Rio, New Year’s eve was the time that those of African derived religions (usually mashups with Christian beliefs) made offerings to Iemanja, the goddess of the oceans. They brought flowers, candles, small boats with fruit and cachaça (rum) to the edge of the ocean. Originally, the poor prayed for Iemanja to yield up her fish so they could eat.

IMG_20151231_201127That tradition spread so that everyone, even if they were not in one of those religions, brought the Goddess gifts and prayed for health, prosperity, love or whatever they thought they needed. Everyone at the beach wore all white as far as the eye could see. It was an emotional and moving event that inspired me to write a poem about it.

Things change. It’s become just another New Year’s gathering. So few people wear white that a news photographer on the beach stopped Deena and I and asked to take our picture. We think we were the only two people he could find wearing all white!

In spite of losing its spiritual roots, Copacabana still remains one of the most special and unique New Year’s Eve experiences in the world. The city sets up three huge stages with big name entertainment that runs from sunset until the wee hours of the morning, all free.

DSC07027The first trick, especially for those of us spending leveraged money (the US dollar is 4-to-1 now), is to buy a spot in a barraca (pronounced ba-ha-ka). During the day, these concessionaires on the beach sell everything from drinks to food, and rent umbrellas and chairs. On New Year’s Eve, they are allowed to rope off a section of beach around their licensed stand. Buying a place inside keeps you from getting crushed by the millions.

Because we reserved early and didn’t bother to negotiate, we surely paid more than most. No matter. We had comfy beach chairs facing the main stage under a pop-up shelter in case of rain. We also had our own waiter and, for the price, drank caipirinhas all night while they kept our bottles of champagne on ice. We even had our own body guard who escorted us to the road through the crowds when we left. Sometimes, it’s good to be king!

The entertainment all night was fabulous. There was a special show on to commemorate 100 years of Samba. The headliner on the main stage was Jorge Ben Jor leading up to midnight. After the twenty minutes of fireworks, yes 20 minutes of fireworks!, there was more great music from Zeca Pagadinho.

Here’s the next tip and perhaps the most important: Plan your journey to and from the beach in advance. We went to the beach early and had no problem getting an Uber. Coming home, though, was another story entirely. Apparently, Uber’s servers were so overloaded that the application didn’t work after midnight. Getting a regular cab was impossible. All the cab drivers were negotiating prices. We lived too close for them to even talk to us. We couldn’t use the metro because our regular metro card didn’t work. We didn’t realize that we had to buy a “special” card for New Year’s Eve. It would have been smart to pre-hire a driver to pick us up. Lesson learned. We’ll  do that for Carnival.

Enjoy our view of the fireworks with Hayden’s Music for the Royal Fireworks Overture:

New Year 2016 Fireworks in Rio de Janeiro.

 

To All Our Friends, Happy New Year

Rio de Janeiro floats a beautiful Christmas tree on Lagoa Rodrigo de Freitas. Below is a very short video we took one night.

You will no doubt recognize the background music, but perhaps you didn’t know that composer Vince Guaraldi became famous because of the B-side of a single that was inspired by the Academy Award-winning film Orpheu Negro, or Black Orpheus. The film was a retelling of a Greek tale that director Marcel Camus set in Rio’s famous Carnival week. Inspired by the film, Guaraldi wrote a bossa nova single. As luck would have it, the B-side of that single won him a Grammy and the chance to compose music for Charlie Brown. We think Vince would’ve appreciated the connection from our images of Rio.

We wish you a peaceful, healthy and prosperous year.
Peace and Love,
Deena and Ivan

December 2015 Newsletter

Interacting with street art in the Santa Teresa neighborhood of Rio de Janeiro.
Interacting with street art in the Santa Teresa neighborhood of Rio de Janeiro.

We’re in Rio but not the real Rio. Sure, there’s pao de queijo, pasteis and brazil nuts (with amazing health benefits). There’s lots of city noise and beautiful beaches full of futebolers, bathers and surfers. There are busy barracas selling their own brand of caipirinas but there probably won’t be much crime here. The people, shops and restaurants in Leblon are affluent with police and security everywhere. Our protected haven doesn’t reflect the excitement nor danger of the Rio that fills the news headlines. That’s just fine with us.

Christmas is ramping up in Leblon with opulent nativity scenes, dress shops featuring all white for the White New Year’s Eve celebration so famous in Brazil and the bustling restaurants are spilling their customers out onto the streets and sidewalks.

Confeiteria Colombo, Rio de Janeiro
Confeiteria Colombo, Rio de Janeiro

We did one touristy thing in Rio. We ate at Confeiteria Colombo, a coffee and pastry cafe over 120 years old. The interior is still kind of elaborate. The original stained glass in the ceiling is replaced with painted plastic. The coffee and cake were what we expected from a tourist spot that draws long lines of shoppers, almost as long as the queues we’ve seen for lottery tickets.

We did see the “other” Rio when we went downtown to buy Carnaval tickets. At least it was daytime and kind of safe. We had a slightly more risky night out when we went to “Rat Alley” – a bar in the Lapa district called Beco do Rato. The Lapa district is the new Bohemian section of Rio, which means music and nightlife;  and also “iffy” streets. We carried nothing, loaded up the “decoy” wallets and took off the jewelry. We passed the working girls and a few sleeping bums on the way.

At the bar, we sat near 8 to 10 guys jamming samba music. No one spoke English but that didn’t prevent us from making friends with a number of people and exchanging contact information for their promise of showing us the “real Rio”. The drinks were strong;  the food good, and the music was great.

We are trying to find a samba school with a costume that we’ll be happy to flaunt when we dance with them in the Carnaval parades in February. We love to see and share the lives of the locals as much as they seem eager to show us their beloved city.

Bar Beco do Rato
Bar Beco do Rato is in the Lapa neighborhood of Rio de Janeiro. The place is funky with street art walls and funky kitsch. Tuesday night is samba jamming night.